Skip to main content

Green Book - review


Green Book, currently on iPlayer, is the heart-warming tale of an unlikely friendship between a famous sophisticated black musician and a rough-around-the-edges Italian-American self-styled bullshitter. It is based on a true story.

This is a story of prejudices overcome and differences accepted. It is also about privilege. But, rather than being preachy and worthy, as it could so easily have been, it is, most of the time, funny, and just utterly lovely.

The film came under criticism when it was released for embracing a white saviour trope, but I think this is overlooking the extent to which both characters learn from each other and end up changing each other's outlooks.

It is perhaps in some ways utopian or overly optimistic in its presentation of race relations in 1960s America (or indeed in the 'Western' world nowadays) but it can't hurt to dream for a couple of hours.

The performances by the two leads are great too and the film looks beautiful. This middle-class white man (clearly not the best person to pass judgement on the presentation of the film's main themes) found it a real treat, deserving the Oscar for Best Picture it won in 2018.

Comments

Popular posts from this blog

A Short History of the Elephant and Castle and Its Name

Last night I attended a lecture by local historian Stephen Humphrey who discussed the general history of the Elephant & Castle, focussing more particularly on what he called its heyday (between 1850 and 1940). This is part of a week-long art project ( The Elephant Project ) hosted in an empty unit on the first floor of the infamous shopping centre, aiming to chart some of the changes currently happening to the area. When an historian starts talking about the Elephant and Castle, there is one subject he can not possibly avoid, even if he wanted to. Indeed my unsuspecting announcement on Facebook that I was attending such talk prompted a few people to ask the dreaded question: Where does the name of the area come from, for realz? Panoramic view of the Elephant and Castle around 1960/61. Those of us less badly informed than the rest have long discarded the theory that the name comes from the linguistic deformation of "Infanta de Castille", a name which would have become at...

pink sauce | life, with a pink seasoning

As of tonight, my blog Aimless Ramblings of Zefrog , that "place where I can vent my frustration, express ideas and generally open my big gob without bothering too many people" which will be 6 in a couple of months, becomes Pink Sauce . While the URLs zefrog.blogspot.com and www.zefrog.eu are still valid to access this page, the main URL now becomes www.pinksauce.co.uk. There is a vague plan to create a proper website for www.zefrog.eu to which the blog would be linked. Why Pink Sauce , you may ask. It is both simple and complicated. For several years, I have grown out of love for the name of the blog. It felt a bit cumbersome and clumsy. That said, I never really looked into changing it, seriously. Tonight, for dinner, I had pasta with a special pink sauce of my concoction ; single cream and ketchup. I know most people while feel nauseous at the very though of the mixture but trust me, it's gorgeous. Don't knock it till you've tried it. After having had my platte...

Tick, Tick... BOOM! - review

Tick, Tick... BOOM! (by and on Netflix), titled after one of its hero's musicals, is the film directorial debut of Lin-Manuel Miranda, the acclaimed creator of Hamilton . Perhaps appropriately, it is about musical theatre and, itself, turns into a musical; covering the few days, in early 1990, leading to star-crossed composer Jonathan Larson's 30 birthday.  At that time, Larson, who went on to write Rent , was in the throes of completing his first musical, on which he had been working for eight years, before a crucial showcase in front major players in the industry. With social puritanism and the AIDS epidemic as background – with close friends getting infected, or sick; some of them dying, Larson, a straight man, struggles to write a final key song for his show, while confronting existential questions about creativity, his life choices, and his priorities. The film features numerous examples of Larson's work meshed into the narrative of those few days. Some are part o...