Skip to main content

A Political Animal on Stage.

For a long time, I wasn't sure I was going to go. I don't like finding myself in that sort of situation. But then I thought, as always in those cases, that I should give it a try, not be my usual self. Plus it would have been rude to have said no... So last night, after work, I got in a bus and made my way to a party. Well, drinks and nibbles. A room full of people I don't know whom I am expected to talk to! The friend who had invited me is a partner in a small design agency. The event was taking place at their studio. They were organising this for Christmas as an opportunity for networking. Both business contacts and friends were there.

I have to say I think I did rather well this time. I talked with most people: usually I stick with one or two persons during the whole night. I stayed there a good three hours, so it can’t have been that bad: it never is really (apart from once in sunny Sidcup but that is a different blog!). It’s just that I am not good with people I don’t (and with those I know too). I would love to be able to talk easily to them but most of the time I find myself tongue-tied and people have a tendency to just ignore me (even when I talk, which is usually not often). Not sure where that comes from. I find myself like an actor on stage performing a play where all the other actors know their lines while he doesn’t know his and therefore has to improvise… badly.

In London when you meet someone new, the first few things that they will ask you is where you live and what you do. Now, this is not for small talk purposes. They use this to size you put and to know in what social class they can categorise you in. This is something unique to this country, I think, that people are so class conscious (which makes it perhaps less surprising that Das Kapital, the manifesto of class struggle, should have been written at the British Library). Of course, a good amount of snobbery underlies this. One of my objections for not going was that the people attending would all have interesting jobs in a creative environment; jobs they like and that I would like myself. They did. My job is as menial and boring and uninteresting as they come. On two counts, I was therefore in the weak position: envying them their positions and having nothing to show for myself. And the dreaded moment, which I can always feel coming, when after a slight pause someone turns to you and says: “So what do you do?”, did happen and each time I find myself apologising for what I do, saying first own boring it is and adding that it pays the rent. As I watch myself doing this, I know this is the right thing to do and say but I just can help myself.

OK, as I said, last night wasn’t that bad and I did even laugh at some point but I am sure no one will remember my presence and there were moments of unease where I wished I knew what to do…. I still do.

Comments

  1. Hi

    I came across your blog whilst scanning queerfilter.com and found it an interesting read. Hopefully you will continue to blog; if so, I expect I'll drop by from time to time.

    Cheers!
    Bill

    ReplyDelete

Post a Comment

Please leave your comment here. Note that comments are moderated and only those in French or in English will be published. Thank you for taking the time to read this blog and to leave a thought.

Popular posts from this blog

A Short History of the Elephant and Castle and Its Name

Last night I attended a lecture by local historian Stephen Humphrey who discussed the general history of the Elephant & Castle, focussing more particularly on what he called its heyday (between 1850 and 1940). This is part of a week-long art project ( The Elephant Project ) hosted in an empty unit on the first floor of the infamous shopping centre, aiming to chart some of the changes currently happening to the area. When an historian starts talking about the Elephant and Castle, there is one subject he can not possibly avoid, even if he wanted to. Indeed my unsuspecting announcement on Facebook that I was attending such talk prompted a few people to ask the dreaded question: Where does the name of the area come from, for realz? Panoramic view of the Elephant and Castle around 1960/61. Those of us less badly informed than the rest have long discarded the theory that the name comes from the linguistic deformation of "Infanta de Castille", a name which would have become at...

pink sauce | life, with a pink seasoning

As of tonight, my blog Aimless Ramblings of Zefrog , that "place where I can vent my frustration, express ideas and generally open my big gob without bothering too many people" which will be 6 in a couple of months, becomes Pink Sauce . While the URLs zefrog.blogspot.com and www.zefrog.eu are still valid to access this page, the main URL now becomes www.pinksauce.co.uk. There is a vague plan to create a proper website for www.zefrog.eu to which the blog would be linked. Why Pink Sauce , you may ask. It is both simple and complicated. For several years, I have grown out of love for the name of the blog. It felt a bit cumbersome and clumsy. That said, I never really looked into changing it, seriously. Tonight, for dinner, I had pasta with a special pink sauce of my concoction ; single cream and ketchup. I know most people while feel nauseous at the very though of the mixture but trust me, it's gorgeous. Don't knock it till you've tried it. After having had my platte...

Tick, Tick... BOOM! - review

Tick, Tick... BOOM! (by and on Netflix), titled after one of its hero's musicals, is the film directorial debut of Lin-Manuel Miranda, the acclaimed creator of Hamilton . Perhaps appropriately, it is about musical theatre and, itself, turns into a musical; covering the few days, in early 1990, leading to star-crossed composer Jonathan Larson's 30 birthday.  At that time, Larson, who went on to write Rent , was in the throes of completing his first musical, on which he had been working for eight years, before a crucial showcase in front major players in the industry. With social puritanism and the AIDS epidemic as background – with close friends getting infected, or sick; some of them dying, Larson, a straight man, struggles to write a final key song for his show, while confronting existential questions about creativity, his life choices, and his priorities. The film features numerous examples of Larson's work meshed into the narrative of those few days. Some are part o...