Skip to main content

Jerry Springer, Again

From Equity (the British Actors' Union):
You may have read in the press that both Sainsbury’s and Woolworths have withdrawn from sale DVDs of Jerry Springer - The Opera after receiving complaints from the public. This is the same production of Jerry Springer - The Opera which was subject to protests when the BBC screened it.

When Equity approached the two companies, Sainsbury's press office said that they had received around 20 complaints but Woolworths would not reveal the number of complaints it had received other than to say it was "substantial".

Equity is very concerned about the action of the two companies and General Secretary Christine Payne has issued the following statement:

"Equity is opposed to the action which Woolworths and Sainsbury's have taken on two grounds. Firstly, Equity strongly supports artistic freedom and equally strong opposes censorship in all its forms, however offended any individual may feel themselves to be by a particular piece of dramatic art.

“Secondly, Equity members derive income from the sales of recorded material, including DVDs, and so stand to lose income from actions such as these.

"Equity is inviting all of its members to make their views known to Sainsbury’s and Woolworths about these acts of censorship."

If you wish to contact Sainsbury's with your views you can visit www.sainsburys.co.uk/contactus and complete an e-mailable form or call their general enquiry line on 0800 636 262.

If you wish to contact Woolworths you can send an e-mail to customer.relations@woolworths.co.uk or call the company's headquarters on 020 7262 1222.

Or you can wirte to the CEO of Sainsbury's:
Justin King
c/o Sainsbury’s
33 Holborn
London EC1N 2HT

A few email addresses:

justin.king@sainsburys.co.uk (CEO) but his emails are handled by a Contact Centre
philip.hampton@sainsburys.co.uk (Chairman)
gwyn.burr@sainsburys.co.uk (Director of Customer Marketing)
penny.peale@sainsburys.co.uk (Head of General Merchandising i.e. non-food)
mike.coupe@sainsburys.co.uk (Director of Trading)
sarah.trowbridge@sainsburys.co.uk (Head of Customer Service)

(Thanks to Liam for the names.)

Update:
from a friend of mine:.

I have just called Sainsbury's. A civilised guy told me that they had been inundated with calls protesting about their decision.

I rang Wooolworths and got the security man! so will contact them tomorrow.


Second Update
From another friend, an email from Sainsbury's in response to his complaint (emphasis added):


------ Forwarded Message
From:
Date: 8 Dec 2005 20:51:34 +0000
To: [...]
Subject: RE: Other Questions

Dear S,

Thank you for taking the time to contact us. I am very sorry that you are unhappy with our decision to stop selling Jerry Springer, The Opera on DVD.

Please let me assure you that we would never wish to cause offence to any of our customers. As a retailer, we feel we should offer our customers a choice of what to buy. We monitor all feedback about the products on sale in our stores and I can confirm that we are no longer selling Jerry Springer, The Opera.
Thank you again for letting us know how you feel. We are committed to getting things right for our customers and I do hope I have been able to offer you some assurance.

Kind regards,

SR
Sainsbury's Customer Services
.


Third Update
From Woolworth's in (rather irrelevant) response to my complaint ("I am not impressed by your decision to pander to an extremist minority but deciding to stop stock DVDs of Jerry Springer the Opera. I like to be regarded as a responsible individual who can make his own decision and choices. Why should you and these people do that for me?
Another decision has been forced upon me in this occasion: that of taking my custom elsewhere..."):

Dear Sir / Madam

Woolworths is guided by legislation and regulatory bodies on what it can and cannot sell in its stores.

Our decisions to sell products are based on customer demand.

The product is not currently available in stores, however should a customer wish to purchase it, it is available from our website - www.woolworths.co.uk.

Regards,

Woolworths Plc





Tags: , , , , , , .

Comments

  1. all for freedom of speach, but dont you think you are caused distress and suffering to the poor people who have to answer all your bombarded emails at woolies and sainsbury,s, how would you like to feel responsible for the guy who has gone home under great stress because he cant answer all your queries and questions and then takes it out on his wife and kids. Think about the poor person who you are bombarding with emails and phonecalls give em a break guys

    ReplyDelete
  2. Thanks for you comment, Anon.

    I could simply say that we did not start this but that it is the fault of those who complained in the first place...

    However, I think that responding to cutsomers' comments is these people's job and they should be used to dealing with this and certainly not be taking it on their family if they get stressed (they should certainly consider changing job if it is so, as I am sure they see much worse). As long as our comments remain courtuous, I don't see anything wrong with making them.

    Finally, the irrelevant cut and paste response from Woolworth (a friend received exactly the same) proves clearly, I think, that we get more stressed over this than the companies and their employees...

    ReplyDelete

Post a Comment

Please leave your comment here. Note that comments are moderated and only those in French or in English will be published. Thank you for taking the time to read this blog and to leave a thought.

Popular posts from this blog

A Short History of the Elephant and Castle and Its Name

Last night I attended a lecture by local historian Stephen Humphrey who discussed the general history of the Elephant & Castle, focussing more particularly on what he called its heyday (between 1850 and 1940). This is part of a week-long art project ( The Elephant Project ) hosted in an empty unit on the first floor of the infamous shopping centre, aiming to chart some of the changes currently happening to the area. When an historian starts talking about the Elephant and Castle, there is one subject he can not possibly avoid, even if he wanted to. Indeed my unsuspecting announcement on Facebook that I was attending such talk prompted a few people to ask the dreaded question: Where does the name of the area come from, for realz? Panoramic view of the Elephant and Castle around 1960/61. Those of us less badly informed than the rest have long discarded the theory that the name comes from the linguistic deformation of "Infanta de Castille", a name which would have become at...

pink sauce | life, with a pink seasoning

As of tonight, my blog Aimless Ramblings of Zefrog , that "place where I can vent my frustration, express ideas and generally open my big gob without bothering too many people" which will be 6 in a couple of months, becomes Pink Sauce . While the URLs zefrog.blogspot.com and www.zefrog.eu are still valid to access this page, the main URL now becomes www.pinksauce.co.uk. There is a vague plan to create a proper website for www.zefrog.eu to which the blog would be linked. Why Pink Sauce , you may ask. It is both simple and complicated. For several years, I have grown out of love for the name of the blog. It felt a bit cumbersome and clumsy. That said, I never really looked into changing it, seriously. Tonight, for dinner, I had pasta with a special pink sauce of my concoction ; single cream and ketchup. I know most people while feel nauseous at the very though of the mixture but trust me, it's gorgeous. Don't knock it till you've tried it. After having had my platte...

Tick, Tick... BOOM! - review

Tick, Tick... BOOM! (by and on Netflix), titled after one of its hero's musicals, is the film directorial debut of Lin-Manuel Miranda, the acclaimed creator of Hamilton . Perhaps appropriately, it is about musical theatre and, itself, turns into a musical; covering the few days, in early 1990, leading to star-crossed composer Jonathan Larson's 30 birthday.  At that time, Larson, who went on to write Rent , was in the throes of completing his first musical, on which he had been working for eight years, before a crucial showcase in front major players in the industry. With social puritanism and the AIDS epidemic as background – with close friends getting infected, or sick; some of them dying, Larson, a straight man, struggles to write a final key song for his show, while confronting existential questions about creativity, his life choices, and his priorities. The film features numerous examples of Larson's work meshed into the narrative of those few days. Some are part o...