Here is a much extended version of my earlier review of the film Crash. It was published on the blog of (now defunct) Design for Diversity. Hollywood is often used as by-word for easy mindless mass entertainment devoid of any educational or intellectual value. The selection of contenders for the 78th edition of the Academy Awards (aka the Oscars), earlier this year, however, put a strong case against such sweeping statement. From politics to homophobia, gender and identity issues to sexual harassment and misogyny or social responsibility, a wide range of unusually “serious” subjects were brought to the fore. Crash, the winner for Best Film and Best Screenplay (and a raft of other awards around the world), itself focuses on race relations in Los Angeles but the irrational fears and reactions it portrays feel sometimes very close to home indeed. Using a similar structure to Robert Altman's Short Cuts, where the lives of the characters intertwine over twenty-four hours, this sometimes...
life, with a pink seasoning; an LGBT perspective.