Skip to main content

Quick

Wurlitzer organ

Yesterday, I attended part of a concert on the country's biggest Wurlitzer organ. This took place in what is the second biggest cinema ever built in the UK (the biggest one was located in Scotland). The former Gaumont State cinema in Kilburn, north London could sit 4000.

The cinema was opened in 1937 but has now been turned into a bingo hall which was also its life line.

I can't say I was particularly impressed by the music. The organist was obviously very good but the instrument seemed to flatten everything, making the melody almost undistinguishable from the rest of the music. The characteristic sound of the instrument seemed also incredibly melancholy (even when playing up-beat numbers); although this was probably quite appropriate in the corrupted and compromised grandeur of the remnants of the cinema's past glories.

I, of course, took pictures, a selection of which is available here.

After the concert, my companion and I, took advantage of the lovely weather and walked all the way back to Oxford Circus where we said goodbye. I kept on walking across Soho to Covent Garden, crossed the Thames at Waterloo Bridge and meandered throught the back streets to the St George's Circus end of Blackfriars Road. And then home to dinner.

-----

In completely unrelated news, today marks the first day of the smoking ban in enclosed public places in Wales. Three months to go before the same happens in England!


Comments

Popular posts from this blog

A Short History of the Elephant and Castle and Its Name

Last night I attended a lecture by local historian Stephen Humphrey who discussed the general history of the Elephant & Castle, focussing more particularly on what he called its heyday (between 1850 and 1940). This is part of a week-long art project ( The Elephant Project ) hosted in an empty unit on the first floor of the infamous shopping centre, aiming to chart some of the changes currently happening to the area. When an historian starts talking about the Elephant and Castle, there is one subject he can not possibly avoid, even if he wanted to. Indeed my unsuspecting announcement on Facebook that I was attending such talk prompted a few people to ask the dreaded question: Where does the name of the area come from, for realz? Panoramic view of the Elephant and Castle around 1960/61. Those of us less badly informed than the rest have long discarded the theory that the name comes from the linguistic deformation of "Infanta de Castille", a name which would have become at...

pink sauce | life, with a pink seasoning

As of tonight, my blog Aimless Ramblings of Zefrog , that "place where I can vent my frustration, express ideas and generally open my big gob without bothering too many people" which will be 6 in a couple of months, becomes Pink Sauce . While the URLs zefrog.blogspot.com and www.zefrog.eu are still valid to access this page, the main URL now becomes www.pinksauce.co.uk. There is a vague plan to create a proper website for www.zefrog.eu to which the blog would be linked. Why Pink Sauce , you may ask. It is both simple and complicated. For several years, I have grown out of love for the name of the blog. It felt a bit cumbersome and clumsy. That said, I never really looked into changing it, seriously. Tonight, for dinner, I had pasta with a special pink sauce of my concoction ; single cream and ketchup. I know most people while feel nauseous at the very though of the mixture but trust me, it's gorgeous. Don't knock it till you've tried it. After having had my platte...

Tick, Tick... BOOM! - review

Tick, Tick... BOOM! (by and on Netflix), titled after one of its hero's musicals, is the film directorial debut of Lin-Manuel Miranda, the acclaimed creator of Hamilton . Perhaps appropriately, it is about musical theatre and, itself, turns into a musical; covering the few days, in early 1990, leading to star-crossed composer Jonathan Larson's 30 birthday.  At that time, Larson, who went on to write Rent , was in the throes of completing his first musical, on which he had been working for eight years, before a crucial showcase in front major players in the industry. With social puritanism and the AIDS epidemic as background – with close friends getting infected, or sick; some of them dying, Larson, a straight man, struggles to write a final key song for his show, while confronting existential questions about creativity, his life choices, and his priorities. The film features numerous examples of Larson's work meshed into the narrative of those few days. Some are part o...